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News · Photo essay · 20 August 2026

Revealing the Cultural Landscape of Sidi Bou Saïd through Landscape Design

In this photo story, Saida Hammami Habibi explores how Landscape Engineering students use Sidi Bou Saïd in Tunisia as a living, open-air laboratory, moving from observation and landscape reading through analysis and interpretation to develop design responses grounded in cultural identity, heritage and place. Through fieldwork and student projects, she shows how understanding landscape can become the foundation for sensitive, context-aware intervention.

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A Pedagogical Approach to Landscape Reading, Interpretation and Heritage Valorisation

Saida Hammami Habibi

Road curving beneath an orange rock cliff, with white buildings on the wooded hillside above
Fig. 1 The cliff of Sidi Bou Saïd (2018)

Using Sidi Bou Saïd as a living, open-air laboratory, Saida Hammami Habibi explores how observation, interpretation and landscape design can help students understand cultural landscapes and develop sensitive, context-aware approaches to heritage.

Sidi Bou Saïd is an emblematic Mediterranean cultural landscape, where architecture, topography, vegetation, spirituality, and the sea come together to create a unique sense of place. Its iconic white-and-blue architecture, winding streets, gardens, viewpoints, and relationship with the Gulf of Tunis express a strong cultural identity shaped by centuries of interaction between people and their environment. Its inscription on the UNESCO World Heritage List on 25 July 2026 recognizes the outstanding universal value of this living landscape and highlights the importance of preserving both its tangible and intangible heritage.

Heritage as a Living Landscape

Sidi Bou Saïd can be understood as a living cultural landscape, where historical layers interact with contemporary uses, natural structures, social practices and cultural representations. This perspective considers both material heritage and the meanings associated with the landscape.

Relief model of a hillside town of blue and white houses and a minaret, set against a painted sky and green planting
Fig. 2. Wall model of Sidi Bou Saïd (2022)

Landscape Design as a Pedagogical Approach

Within the Landscape Engineering program at the High Agronomic Institute of Chott Meriem, Sidi Bou Saïd serves as a living, open-air pedagogical laboratory. The site enables students to confront theoretical knowledge with the complexity of a real cultural landscape through a progressive and experiential methodology based on observation, description, analysis, interpretation, conceptualisation, and design. This approach encourages students to develop a sensitive understanding of place while learning to translate landscape values, spatial relationships, and heritage characteristics into meaningful and context-sensitive design proposals.

Students on a field visit in a coastal hillside town, one looking at her phone, others walking along the road
Fig. 3. Field-Based Perception and Landscape Observation (2018)

Sensory Perception and Landscape Reading

The process begins with direct sensory observation. Students explore spatial sequences, atmospheres and significant landscape elements. Individual perceptions are encouraged as a means of revealing the diversity and complexity of landscape readings.

Observation Filters as an Analytical Tool

Observation filters guide students through key dimensions such as topography, urban morphology, architecture, vegetation, materials, colours, circulation, uses, historical traces, visual relationships and symbolic elements. They transform perception into structured observation and facilitate comparison between different readings of the same territory.

Courtyard garden with blue-edged planting beds beside a white building with blue doors and windows

Fig. 4 Landscape perception and reading (2022)
Twelve small photographs of doors, windows, lanterns and streets in white walls with blue details
Fig.5 Architectural Elements of Sidi Bou Said

From Analysis to Interpretation

Analysis identifies spatial structures, continuities, ruptures and landscape values. Interpretation connects these elements with historical processes, cultural meanings, social practices and collective memory. Students move from “What is present?” to “How is it organized?” and “What values does it express?”.

Students sketching at a table, and a student standing beside a wall of hand-drawn landscape analysis sheets
Fig. 6. Spatial Analysis of Sidi Bou Said  Workshop theme (2025)

A Holistic and Multiscalar Approach

The methodology combines territorial, urban and architectural scales, examining relationships between the village, topography, coastline and Gulf of Tunis, as well as streets, gardens, public spaces, façades and visual sequences. The landscape is thus understood as an interconnected system.

From Landscape Diagnosis to Project Concept

The diagnosis identifies landscape values, potentials, vulnerabilities and issues, providing the basis for a landscape intention and structuring concept. The sequence Observe | Describe | Analyze | Interpret | Conceptualize | Design ensures that project decisions emerge from territorial knowledge.

Two display boards of student work with maps, photographs and watercolour sketches of the town
Fig. 7. Sidi Bou Said Landscape Workshop Theme (2018) — Student Work by Marwa Hadded
Four photos of student work: collage boards of photographs and sketches, and blue painted stones
Fig. 8. Sidi Bou Said Landscape Workshop Theme (2018) — Student Work by Manel Khemiri

Landscape Design and Heritage Valorisation

Landscape design becomes a mediating tool between heritage, territory and society. It combines heritage conservation with the interpretation of landscape dynamics and the development of interventions compatible with local identity.

Understanding in Order to Act Effectively

The Sidi Bou Saïd experience demonstrates that landscape design can be simultaneously a method of territorial knowledge, an interpretative process and an instrument of heritage valorisation. By placing understanding before intervention, students develop sensitive, critical and context-aware approaches to cultural landscapes.

Keywords: Cultural landscape; Landscape design; Heritage valorisation; Landscape pedagogy; Sidi Bou Saïd.

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